At some point last week as I was working my way through Metropolitan, Barcelona, and The Last Days of Disco—Whit Stillman’s triptych from the 1990s, each for sale separately and also helpfully collected in a new set by the Criterion Collection*—I realized that Chris Eigeman was my spirit animal.
Plans to screen “Zoolander 2” at a private college in California fell through after college students complained the movie was too offensive in its portrayal of individuals who identify with the LBGT community.
Tomorrowland is both an indictment of the Hollywood Dream Factory and a paean to its power, a film that aspires to inspire. It’ll play great with the 8-to-14 demo, though their parents may heave a sigh or two.
A new documentary film gives viewers a behind-the-scenes look at the hoopla surrounding the White House Correspondents’ dinner, which, much to the dismay of some, has become the most important social week of the year in Washington, D.C.