In 1961, Cecilia Chiang opened a tiny restaurant in San Francisco called the Mandarin. It offered authentic Chinese cuisine that attracted a devoted following. Victor Bergeron of Trader Vic’s fame was a fan. But more important was man-about-town Herb Caen of the San Francisco Chronicle. On the one hand he called it a “little hole in the wall.” On the other, he said it had “the best Chinese food east of the Pacific.” Seven years later the Mandarin moved to Ghirardelli Square—expanding from 65 seats to 300—becoming one of San Francisco’s premier dining destinations.
WASHINGTON (Reuters) – U.S. Interior Secretary Ryan Zinke, who has sought to open U.S. offshore waters to oil and gas drilling despite environmental protests, will be leaving his post at the end of the year, President Donald Trump tweeted on Saturday, the latest high-profile departure from his administration.
OKINAWA—I’ve had to wait on the tarmac for planes ahead of mine to take off before, but never F-15s. Naha airport here shares a runway with Japan’s Air Self Defense Forces, leading to delays whenever Japanese fighters scramble to counter Chinese incursions into the airspace above the Senkaku Island Chain in the East China Sea. The pace of such incursions has accelerated over the last half decade. The Japanese scrambled a high of 1,168 times in 2016, mostly in response to Chinese activity. The sight of active afterburners on a U.S. commercial runway would be shocking. In Okinawa, it’s everyday life.
In the midst of all the new Christmas books that every year brings us, in the midst of all the made-for-Netflix holiday programs, in the midst of all the productions of The Nutcracker, in the midst of all the seasonal movies (from It’s a Wonderful Life to Die Hard), in the midst of all the Yuletide television specials, it might be worth remembering an indisputable truth about Christmas art: The single most successful bit of seasonal fiction is Charles Dickens’s A Christmas Carol.
There’s no reason Spider-Man: Into the Spiderverse should work, really. It mucks about with concepts that only deep readers of the comic books will be familiar with. It introduces half a dozen new characters in an incredibly short amount of time. It is brought to life in an odd animation style that serves as an implicit rejection of the super-slick Pixar/Disney ideal that has come to dominate animated films in recent years.