The End of the Republic

Review: Barry Strauss’ 'The Death of Caesar'

BY:

Barry Strauss’ The Death of Caesar begins with the triumphant Julius returning to Rome, surrounded by allies and well-wishers—many of whom would eventually take part in the plot to kill him—and then takes the reader on a compelling tour of the events surrounding Caesar’s assassination and the subsequent struggle between competing parties and conceptions of Roman government.

The struggle for power is the heart of this skillful, accessible account. Strauss is keen that we understand just how ruthless the men of Rome were, noting how Brutus had once locked debtor councilmen in their homes until they starved to death. He provides profiles of all the major figures involved in the Ides of March—Brutus, Cassius, and Decimus—but focuses, naturally, on Caesar’s power. He explains how Caesar "replaced republican austerity with imperial pomp and sealed it with a dynasty’s stamp." In essence, Caesar began the transformation of Rome from a republic back to an effective monarchy—a form of government from which it had long before escaped.

By pursuing his own absolutist authority with such aggressiveness so quickly, Caesar sowed the seeds of his own demise. As Strauss puts it:

In three months, Caesar had disrespected the Senate, dispensed with People’s Tribune, and flirted with monarchy. By February, the conspiracy that would bring Caesar down was being born. In fact, it might already have been alive.

Physical arrogance (the conqueror refused to accept a bodyguard) and poor political calculations were more proximate causes of his death. Strauss explains how Caesar had long cultivated a reputation as a forgiving political master who would grant wealth and prestige in return for absolute loyalty.

But Caesar failed to heed that what he had to offer would not trump the wounded pride of the Roman nobility, members of which determined that Brutus must be at the fore of the plot. Brutus’ family was immensely distinguished, and believed to have been involved in the original transition from monarchy to self-rule. Strauss describes how the "conspirators insisted on him. Their principle was that to kill a king it takes a king—or at least a prince, and Brutus was practically a republican prince."

Strauss takes pains to give us extraordinary narrative detail about the ferocious assassination itself, working to discard Shakespearean fallacies about what happened that day. Noting that Caesar suffered at least twenty-three independent wounds, Strauss describes how "the conspirators surrounded Caesar in a circle – again, a sign of careful planning. The blows now came fast and furious. If Caesar was indeed standing, he could not have stayed on his feet for long, probably less than a minute." Having reviewed the various primary sources, the author concludes that the attack "almost sounds choreographed, even ritualistic'.'

Strauss then takes us through the weeks of complicated negotiations that followed the dictator’s demise, when the assassins had to surround themselves with gladiators for protection against Caesar’s veterans. With intermediaries like Cicero, a compromise was theoretically reached, but underlying hatreds only grew. The fabric of Rome’s traditional political order began to break down even further. Mark Anthony and Octavian—the man who would become Augustus Caesar—confronted the disparate conspirator armies, the conspiracy’s power ignominiously collapsed. Amnesties were revoked, property was seized, and one by one, the assassins were struck down in battle or by their own hands.

Julius Caesar is declared a God. A new monarchic Rome is built as Octavian pushes Caesar’s old lieutenant Mark Antony aside. Despite their practical failure, Strauss suggests that the assassins may have secured a spiritual victory for the form of government they favored: "[I]f they didn’t save the Republic, they saved republicanism."

The Death of Caesar manages to be both meticulous and gripping, a noble book about a grim era.

Tom Rogan   Email Tom | Full Bio | RSS
Tom Rogan, based in Washington, D.C., writes for National Review and the Daily Telegraph. He is a panelist on The McLaughlin Group and holds the Tony Blankley chair at the Steamboat Institute. He tweets @TomRtweets.

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