The Trouble With Evelyn Waugh

Review: Philip Eade, 'Evelyn Waugh: A Life Revisited'

In his notes for a review of Brideshead Revisited that he never completed, George Orwell remarked that Evelyn Waugh “is about as good a novelist as one can be…while holding untenable opinions.” Orwell puts it in the plural but identifies only one such opinion in Waugh’s Brideshead: His belief in God and assent to the doctrines of the Catholic Church. “One cannot really be Catholic and grown-up.” While not defending Waugh’s Catholicism, Christopher Hitchens took exception with Orwell’s couching of Waugh’s accomplishment in a 2003 piece for The Atlantic. Waugh wrote “brilliantly,” Hitchens argued, “precisely because he loathed the modern world”—a loathing that preceded his conversion to Catholicism (and was used to great effect in Decline and Fall). What Hitchens missed in an otherwise entertaining look at Waugh’s satirical gifts was how Waugh’s Catholicism gave his loathing fuel and complexity.

The Right Kind of Art

Review: Sohrab Ahmari, 'The New Philistines'

The 500th anniversary of Da Vinci's Arrival At Chateau du Clos Luce - FranceOne does not have to struggle to find a polemic about cultural decline that focuses on the art world. However, Sohrab Ahmari’s The New Philistines stands apart because it examines these questions on serious, philosophic grounds, avoiding the complaining tone of similar works. Ahmari (who is a London-based editorial writer for the Wall Street Journal) has written a finely argued volume that does not focus so much on the rote messaging inherent in most modern art today. Rather, he shows how the left’s increasingly strict demands for ideological orthodoxy has led to a dearth of creativity and dynamism.