Paul Cézanne: The Rebel With a Cause

In his pseudo-intellectual film Manhattan, Woody Allen said he couldn’t go through life without Paul Cézanne’s famous pears and apples. Cézanne himself confidently knew he could make something special out of inanimate objects. “I, only I,” he once bragged to Camille Pissarro, “know how to paint a real red.” But the National Gallery’s exhibition Cézanne Portraits, curated by John Elderfield, shows the curious layman the artist’s struggle to take his unique, constructive method of painting and apply it to living, breathing subjects. It is the first exhibition concentrated on the artist’s portraits since 1910. And it’s about time.