We’re now in Oscar season, when we’re treated to period films with big messages, prestige dramas with serious points. The Imitation Game, Unbroken, Selma, Theory of Everything: some or all of these films will rack up nominations at the Academy Awards. And they are totally fine, perfectly competent films. I’d expect a late push for Selma—aesthetically on par with a decent television movie, featuring a few stirring performances and no memorable images—thanks to its timeliness. I mean, the film literally closes with a song that has a line about Ferguson. How can that not win?