The very long subtitle of this biography seems a bit like overkill; on the other hand, Alicia Patterson, whom I had never heard of before reading this book, was all of the things stated, the sort of larger-than-life figure the first half of the twentieth century seems to have specialized in.
Her niece, Alice Arlen (who died in March 2016), co-screenwriter of Silkwood and other films, and Michael J. Arlen, a former New Yorker staff writer and television critic, have written an entertaining and thoughtful biography of this perplexing yet fascinating woman.
There’s a lack and a longing in the heart of Abe Belatzakof, the main character of Maximilian Uriarte’s graphic novel about the U.S. Marine Corps, The White Donkey: Terminal Lance. A middle class kid from Portland, Oregon, with a sharp intellect, an absent father, and a lover whose status in his life is uncertain, Abe enlists in the Marine Corps because he is “looking for something else.” His journey takes him from the Marine base at Twentynine Palms to the war in Iraq, and finally home again. Along the way, his life will confirm what Aeschylus cautioned more than two millennia ago: “We must suffer, suffer into truth.”